Memoirs of a Geisha

April 3, 2000
Trigiani's story of a middle-aged spinster finding love and a sense of self in a small Virginia coal town is a lot like a cold soda on a hot summer day: light and refreshing, if just a little too sweet. Trigiani, a playwright, filmmaker and former writer for The Cosby Show, has a Southern voice that perfectly embodies her main character, the embattled Ave Maria Mulligan. Ave Maria, who's satisfied if not exactly happy in her role as the town pharmacist, begins questioning her quiet, country life after a posthumous letter from her mother reveals a jarring secret. Ave Maria soon faces a crisis of identity, the advances of a surprising suitor and the threat of her acerbic, money-grubbing Aunt Alice. From the suitor, who points out his brand-new pickup truck during a marriage proposal, to the town temptress, who dispenses romantic advice from her bookmobile, Trigiani brings the story alive with her flexible vocal inventions. Fans of true love stories and happy endings certainly won't be disappointed. Based on the Random hardcover (Forecasts, Jan. 31).

Starred review from September 22, 1997
The life of a famous Kyoto geisha--from her painful apprenticeship in the early 1930s through the years of her prime and her later career in Manhattan--is rendered with stunning clarity in this fully imagined first novel. Golden effortlessly spins the tale as the dictated autobiography of quick-witted Chiyo Sakamoto, the daughter of a poor fisherman, who attains the pinnacle of geisha success. In the process, Golden evokes the spectrum of traditional Japanese society. Sold as a child by her financially desperate father, Chiyo is placed in a house for geisha as the personal maid to Hatsumomo, one of Kyoto's most sought-after geisha. There she is trained in the arts of dance, singing and the tea ceremony. Hatsumomo, however, threatened by Chiyo's beauty, treats her with unrestrained cruelty. Chiyo's position is one of indentured servitude: she may not leave until she has repaid all of her living expenses and even her original purchase cost. After many vicissitudes, Chiyo is transformed into a celebrated geisha called Sayuri; many men offer to be her danna (high-paying boyfriend), an honor that--defying Western expectations--does not include sex unless the geisha chooses so. Despite legions of admirers however, Chiyo/Sayuri secretly pines for an unattainable man. Golden splendidly renders the superficiality of geisha culture: the word geisha translates to "artist" or "artisan," and the women spend hours painting on porcelain make-up, caring for their beautifully hued silk kimonos and honing clever conversational skills. Counter to everything geisha are taught, Chiyo learns that her own feelings do matter, and honoring them results in a well-earned, intelligent and satisfyingly happy ending. Foreign rights sold in 11 countries; Random House audio; author tour.

October 10, 2005
Arthur Golden's 1997 tale appealed to director Marshall (Chicago
) for the same reasons it attracted millions of readers: because it "not only peers into the fascinating and forbidden world of a geisha's life in 1930s Japan, but also tells the emotional tale of one particular girl's journey." This accompanying volume to the forthcoming film based on the book will certainly enchant fans. In his introduction, Golden recalls how "curious" it was for him to walk around a full-scale geisha district of the 1930s built on a field in California and know that such a detailed set grew out of his grueling experience writing the novel. A history of the geisha comes next, and then a portfolio of images from the film, some quite striking (such as the one of geisha practicing movements with fans, hair down, relaxed in their dressing robes and lit from behind). The book's final portion is devoted to the making of the film, with archival images of geisha, a concept illustration of a cherry-blossom-viewing party and notes on how, for example, the structural surfaces of the buildings on the set were sandblasted to add texture and age.